The brand manager at my new job recently asked if I could provide her with a current headshot to include on our company intranet. Because I work in very corporatey settings doing very corporatey things, one might reasonably expect me to have this sort of thing at the ready. Unfortunately, before quitting my last job, I forgot to send myself a copy of the headshot that I simply kept on file there.
I don’t particularly fancy having my picture taken, so I’m not inclined to run out and get a new headshot. I’m not picking on myself, as I’m generally fine with my looks in real life, but let’s just say that if Severus Snape and Laura Dern had a baby, it would grow up to look like photo-me.
If you believe our phones are always listening to us, you will not be surprised that I soon after received an ad in my social feed for remarkably authentic AI-generated headshots. The samples sincerely looked like nice headshots generated as believable composites of normal people’s photos. After paying a nominal fee, I submitted six photos of my face from various snapshots I have on file, and just over an hour later, I I was absolutely delighted to see the results. This is for sure the most entertaining $5 I’ve spent in ages:
Look at the gourd on this young lady. She must be really smart.This skirt is ideal for a 51-year-old woman because it takes me right from the board room to the junior high basketball game, where I am still captain of the cheer squad.No lies detected. This is exactly how I look in real life and is also the exact way I stand when I want my ideas to be taken seriously in a strategy session at work.I’m impressed AI could extrapolate from six candid snapshots of only my face that I lost my left leg in a tragic farming accident.Nothing says professional like keeping a whole other woman inside my pants to help me check for chin hairs. Also, I REALLY LIKE BUTTONHOLES.Backscratch, anyone?
In the interest of full disclosure, I confess I’ve witheld the few AI photos I received where, instead of missing a limb or having seven-fingered hands that look like McDonald’s French Toast sticks, I merely looked too young. And by “too young,” I mean too young for a headshot of a woman who has 30 years of work experience and the scowl-wrinkles to prove it. While I got a thorough kick out of what appears to have been the Wish version of AI photography, I’m absolutely positive–and strangely relieved–I’m still going to need a real-life photographer in the end. (Go, team human beings!)
Yesterday my 20-year-old daughter wanted to show me some young woman’s go-to breakfast that is apparently breaking the Internet. It amounted to dipping chicken sausage and a variety of raw veggies into copious amounts of mustard and cottage cheese, which I can appreciate, but I was completely distracted by the ASMR technique used for the recording. I felt 99 percent sure that the popularity of said breakfast was gimmick-driven: a matter of chewing loudly for the ASMR set. ‘Cause, girl, people been dipping random foods in whatever-mom-left-in-the-fridge since at least the Kennedy Administration.
For those who’ve been hiding under a rock, ASMR stands for a variety of things:
Automatic Strangle-Me Response
Activate Someone’s Murder Reflex
All-Senses-Molested Reaction
Another Stupid Munching Replay
Assess Someone’s Monotony Resistance
Anti-Soothing Mastication Recording
Officially speaking, though, it stands for Autonomous Sensory Meridian Response, referring to the phenonomenon of certain sounds making a brain tingle with something approaching foreplay. I’m definitely not the best person to break down the natural mechanisms by which this phenomenon works, but I do nominate myself to explain it’s been hijacked on social media by breathy people, teething hard foods and/or employing long, fake fingernails to very loudly unbox things that seem to have been dry-aged since Jesus and then wrapped in five hundred pounds of cellophane. Shorthand explanation is that it’s neuroscience around noise, weaponized for fetish and social media.
Before you pull a hamstring running to the comments to remind me of the name of this viral breakfast sensation, rest assured, I forgot it by choice and not due to menopause memory. Sure, I’ll try dipping some chicken sausage and cukes into cottage cheese and mustard this week, but my mind wasn’t blown, and if I had a choice between listening to anyone loudly mouth food or being suspended by shaved dowels through my nipples like A Man Called Horse, you will definitely find me over here whittling wood pegs and prepping my breasts with ice packs.
As much as I love that my daughter shares anything at all with me, and as much as I know that some of my other favorite Gen Z’ers might appreciate that I’ve bothered watching the latest flash in the TikTok pan, I’ve simply hit my maximum lifetime limit on ASMR videos. Today. Officially. Enough.
Surprise: It is entirely possible to impress others with a makeup hack without the sound of acrylic fingernails being turned up to eleven. You can teach the world how to make a fine noodle salad without snapping spit-bubbles between your molars so loud, I want to reflexively jump behind the couch like a drive-by shooting scene from Colors.
As someone who has spent almost a decade now falling asleep to my husband’s beloved smooth sounds of Bob Ross stabbing a hard paintbrush into a Titanium White-drenched canvas on the Joy of Painting, I feel well within my rights to draw this line. After all, Bob was the accidental granddaddy of ASMR, and while I do find those sounds woo me into a state of Zen, I am certain in my heart Bob Himself would back me up on the idea that you can (and should) make and share something wonderful for the sake of that thing, not for going viral. You can do it, kids, and I swear there is no loud chewing required.
Today I ate a delicious chocolate protein muffin baked with love by my daughter, as I embarked on the bulk fermenting step of my first homemade sourdough, made using starter generously shared with me by my seriously great ex-husband. We are bridging our households in a way that warms my heart completely but somehow does not make any sort of crunching noise.
I was born in a hospital owned by a copper mine in a so-called “company town.” My first vision in life was undoubtedly a pair of cowboy boots, worn by the obstetrician who delivered me. He’d come fresh from a golf game and not the annual rodeo or horse races. I’m told he was miffed that his 18 holes were interrupted by the work of catching me. But, if you think about it, I paid for his country club dues.
The country club was owned by the mine, too. So was our family’s house, before my parents bought it on the cheap. Maybe twenty thousand was big money then, but the house—on executives’ row—was modest and small: cream-colored clapboard with white trim, plopped in the middle of a postage-stamp yard. I used to hide under the porch stairs, only slightly less fearful of the cobwebs than I was of being found during hide-and-seek. I accidentally hanged myself once in the backyard, and I can still see my little friend Darran fleeing as I dangled from the swing set. My mom happened to look up from the kitchen window just then, and came out just in time to slacken the jump rope.
Inspiration Hospital was just up the road, a regular weekly stop for us, but rarely for things as serious as a hanging. We went because my big sister required weekly allergy shots. When the nurse would tell her she’d been a good boy, which was most days, my sister’s eyes stung with tears. She’d shuffle angrily down the linoleum hallway wearing her sheriff star, faded t-shirts, and jeans. Her straw-straight hair was knotted as a spool of thread from the bottom of a sewing bag. Because people often mistook us for twins, and nobody ever called me boy, I wondered what was so special about her.
My sister had chronic ear infections and was, by all accounts, a grumpy child. One day, like many other days, we left from the hospital with a prescription in my mom’s hand. My sister sat slumped against the passenger-seat window with a fever. I happily jabbered in the backseat, anxious to get to the store where the drugs were dispensed. Along with filling prescriptions, Sprouse Reitz also had aisles and aisles of fabric, a shelf full of Barbie clothes, and a row of gumball and candy machines.
“Can I go in?” I asked. My mom was smoked from caring for a sick child, and I was always asking inconvenient questions like that—always talking, in fact. “Please?”
“You can come in.” Her lips were pinched tight. Even at seven years old, I knew she didn’t want to cart me along. Maybe she worried my sister would hit me if I stayed behind in the car. That sort of thing happened sometimes. “Just make sure you stay with me,” she added. “Don’t wander.”
Once inside, I roamed to the candy machines at the front of the store while my mom spoke to the pharmacist in the back. If I looked at the machines longingly enough, hungrily enough, I was sure my mom would cough up a dime. But after what seemed like a few minutes, my reverie was broken by the sun flashing off her car as she drove away. I was pretty sure she meant to do it. I felt this in my gut the same way a seven-year-old just knows her stuffed animals talk at night.
I don’t remember if I whimpered or wailed, but soon a woman with very thin hair and a diameter twice her height came over to help me. Her name was Mrs. Davenport. That much everyone knew. She was almost as short as me but had a chest that went on for days, like two sleeping bags rolled under her blouse. “It’s okay, honey,” she said. “Did you lose your mommy?”
I didn’t want a new mommy, and my gut told me that’s exactly why she was asking. She hugged me so tightly, forcing my head into the dip between her huge breasts. “It’s okay,” she said. “Do you know your phone number?”
Of course I knew my number, but in my panic—and hers—the call was placed well before my mom had a chance to make the 20-minute drive home. In those days, before voice mail and pagers and texting, if someone didn’t answer, it was tough luck. Sweet Mrs. Davenport hung up and stroked my hair with the thick fingers of her small hand. I didn’t want her touching me, but I had no right to say so. I was only seven, and she was going to be my new mom now.
It stuns me as a parent now, how immediately sure I was that my mom meant to leave me there. Wasn’t everything a parent did intentional and deliberate? Each decision perfectly considered? Each choice a reflection of my value? I’d been told not to wander. Being abandoned was the consequence. It never occurred to me it was an accidental one. I think about that sometimes, the omnipotent and prescient power my kids think I have.
Eventually my mom returned to the store—maybe 45 minutes had passed—and scooped me up in her arms. Her voice was calm, reassuring, and wracked with sugar-coated guilt. My sister had known the whole ride home that I wasn’t in the car, but she wanted her bed and some medicine. “Why are you so quiet back there?” my mom had asked, before realizing I wasn’t “back there.” When she reached me again at the store, still being smothered by my new mom, she looked much like she looked a few minutes after the hanging. It was a false calm, talking a little too fast and smiling a little too hard.
“I want to see my neck,” I’d asked on my hanging day a few years earlier. “It feels funny.” I remember Sesame Street was on the tube, and I was curled up under a blanket on our itchy goldenrod couch. My throat felt funny, like an unshelled walnut was lodged in the center. So much for that game of cops and robbers.
“You don’t need to see it,” she said, stroking my hair. “It’ll scare you.”
“It won’t scare me,” I said. “I want to look.”
She thought for a minute, then walked to the back bedroom and emerged with a hand mirror. I looked at the parallel lines of rope burns around my neck, cherry red and gradually diminishing to a point, like a tornado—and I burst into tears. “It hurts!” I cried. “It hurts so much!”
“It’s okay,” she told me gently. “Everything’s okay.”
I don’t know why I believed her. From the start, there’s been evidence things aren’t that simple: cowboy boots in the delivery room, nurses that call little girls boy, cobwebs in my hiding places. I believed her then, as I’d believe her for years, even though my friend had left me hanging from a noose, behind the fluttering white sheets that danced a beautiful dance on our clothesline.